Creative Lighting for Interiors Photography Information
Become an expert in interiors photography!
What You’ll Learn In Creative Lighting for Interiors Photography?
- Introduction
- 01 – Hi! I’m Fabio, and this is my story.
- 02 – The Creative Lighting
- 03 – About Interiors Photography
- 04 – Challenges of Interiors Photography
- 05 – Interiors as Products
- 06 – Required Knowledge
- Equipment for Creative Lighting
- 07 – Shooting Equipment – part I
- 08 – Shooting Equipment – part II
- 09 – Shooting Equipment – part III
- 10 – The Bazooka
- 11 – Building the Bazooka
- 12 – The other tools
- Preliminary Concepts
- 13 – Keeping the client involved
- 14 – Framing and the advertising texture
- 15 – True space vs. less is more
- Getting Everything Ready
- 16 – A brief description of the technique
- 17 – Preparing the scene – part I
- 18 – Preparing the scene – part II
- 19 – Avoiding the most common traps
- Lighting and Shooting the Scene
- 20 – Introduction to the lighting process
- 21 – 1st step: the natural light
- 22 – 2nd step: the original light
- 23 – 3rd step: the creative light
- 24 – A new word for our glossary
- 25 – Back to Creative Lighting
- 26 – Shooting session – final thoughts
- Post Production
- 27 – Introduction to post production
- 28 – Harmonizing color temperature
- 29 – Photoshop screencast part I
- 30 – Photoshop screencast part II
- 31 – Case study: the bar
- 32 – Case study: the meeting room
- 33 – Your first solo flight
- Tips and Tricks
- 34 – Two scenes in one day
- 35 – Day, night, day for night
- 36 – Many frames vs. few frames
- 37 – Other tools: the Quartz Light
- 38 – Other tools: the Hand Spot
- 39 – Other tools: the Wand
- 40 – Creating amazing light effects
- 41 – Planning the shooting session – part I
- 42 – Planning the shooting session – part II
- 43 – Taking advantage of the unexpected
- 44 – Master diffuse and specular reflections
- 45 – In something moves in the scene
- 46 – Noise: make your photo smooth as silk
- 47 – Making reflective surfaces look beautiful
- 48 – Deciding when to stop
- 49 – Distortions: keystoning
- 50 – Correcting keystoning
- 51 – Distortions: barrel/pincushion
- 52 – Swiping with the bazooka
- Making the Room’s Layout Work for You
- 55 – Changing the room’s layout – case study I
- 54 – Changing the room’s layout – case study II
- 53 – Changing the room’s layout – case study III
- Support material
- PSD files – full version
- PSD files – compacted version
- Flattened files
- Bazooka blueprint
- Bazooka blueprint
- Photoshop Actions
- Conclusion
- 56 – Conclusion
More courses from the same author: Fabio Bustamante
Salepage: Creative Lighting for Interiors Photography – Fabio Bustamante