Dolce – White In Revery

White In Revery is a leading filmmaking team in the wedding industry. They have been filming for over seven years and have traveled the world to capture some of the most amazing couples and captivating love stories. White In Revery has a very engaging and captivating style to their films that focuses on each couple and their story. Their style can be described as a beautiful fine art visual of color balanced with emotional story driven films. Every film is uniquely tailored to each couple while still showcasing the beauty of the couple with a strong focus on audio and story in every film. White In Revery has filmed over 200 weddings and is constantly producing high-end quality films with a premiere demand for perfection in every detail.

The Dolce LUT Collection consists of color palettes that are designed to be universal and adaptable to any situation or lighting. The skin tones range from warm and vibrant, to cool and dramatic, to blush-inspired, film tones. Our goal with these LUTs is to give you versatility and variety so that you can keep your wedding films color graded in a true-to-life palette, while also having rich, cinematic colors that are bold and iconic.

What You’ll Learn In Dolce

• Dolce 01
  Features warm skin tones, desaturated colors, brighter highlights and even shadows. This LUT is designed to be a basic go-to that leans towards a mix of a cooler environment connected to warmer skin tones. Works well in bright environments as well as mixed lighting situations.
• Dolce 02
  The Dolce LUT 02 has the warmest and most saturated color palette of all the LUTs. With bold colors, especially reds, and a deep gradient of greens, this LUT allows things to look true-to-life, while still keeping your skin tones intact, but also offering a cinematic layer that preserves the natural colors, and green tones, that exist in nature.
• Dolce 03
  This designation has a warmer and more saturated color palette. With bold colors, especially reds, and a deep gradient of greens, this LUT allows things to look true-to-life, while still keeping your skin tones intact, but also offering a cinematic layer that preserves the natural colors, and green tones, that exist in nature. Works well in blue hour lighting as well as vibrant color locations.
• Dolce 04
  This look is rooted more in a filmfeel, with highlights that tint towards magenta. This look is designed to work well in full-sun and brightens and warms up skin tones to have a creamy tone that is inviting, but also refined.
• Dolce 05
  This B&W grade is created to emphasize a more classic tone, with an homage to TRI-X film. Using your editing platform, you can also add in grain to suit your preference and to create a cinematic look that is rooted in black and white film, and cinematic history. Works best in shots with underexposed tones and landscapes.
• Dolce 06
  Offering a newer take on a B&W grade, this spectrum is designed to have more crushed highlights and deep blacks to provide greater contrast, but to offer a more contemporary approach to black and white grading. The direction of this LUT is suited to offer a grade that is modern, clean, and to remove distracts from highlights for a more ethereal feeling. Works best in situations where the light is bright or where you want a more contrast-filled look.

More courses from the same author: White In Revery

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