Look / Lab / Print DCTLs – Stefan Ringelschwandtner

The ‘MONOLOOK’ DCTLs in our pack are inspired by the classic film aesthetics of Kodak and Fuji. These tools offer three specific negative film emulations, each carefully designed to capture the unique color qualities of analog film. They’re tailored for filmmakers looking to blend the timeless appeal of film with the clarity of digital sensors, enabling a film-like look in their projects.

In developing this tool, my goal was to come very close to the essence of film without being rigidly bound by it. I focused on reproducing film’s most appealing characteristics, allowing enough flexibility for users to further shape and refine the look throughout the grading process. Currently, the pack includes these three distinct looks, each offering a unique approach to achieving a film-like aesthetic.

All profiles were meticulously crafted through extensive research and precise analysis of film characteristics, with a particular emphasis on the distinctive qualities of film stocks. The process involved scrutinizing both analog scans and digital resources, allowing for a comprehensive understanding of the films’ visual nuances.

What You’ll Learn In Look / Lab / Print DCTLs

• 250D
  “MONO-LOOK 250D” draws inspiration from the wide tonal range and dynamic colors found in superior 250 ISO daylight film. It’s important to note that “MONO-LOOK-250D” is not connected to, supported by, or made by Kodak or any film-making company.
• 500T
  “MONO-LOOK 500T” draws inspiration from the wide tonal range and dynamic colors found in superior 500 ISO tungsten film. It’s important to note that “MONO-LOOK-500T” is not connected to, supported by, or made by Kodak or any film-making company.
• 200T
  “MONO-LOOK 200T” draws inspiration from the wide tonal range and dynamic colors found in superior 200 ISO tungsten film. It’s important to note that “MONO-LOOK-200T” is not connected to, supported by, or made by Kodak or any film-making company.

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